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Tim Kelsey
Tim Kelsey was the first National Director for Patients and Information in the National Health Service. The role combines the functions of chief technology and information officer with responsibility for patient and public participation and communications.〔"Tim Kelsey quits open data role to take on NHS Informatics post", Guardian, London, 25 May 2012 ()〕 Before his appointment in July 2012, he was the United Kingdom government's Executive Director of Transparency and Open Data leading on the development of national public data policy.〔"New Executive Director of Transparency and Open Data announced", "Cabinet Office", London, 23 January 2012 ()〕〔("Transparency Tsar", "Financial Times", London, 22 March 2011 )〕〔"Transparency Tsar could spark a revolution", "Health Service Journal", London, 31 March 2011 (www.hsj.co.uk/comment/leader/transparency-tsar.../5027944.article )〕 He was appointed National Information Director in health and care and chair, the National Information Board, in April 2014.〔()〕 He is a British journalist who co-founded Dr Foster,〔(Dr Foster website )〕 the organisation which internationally pioneered publication of comparative hospital death rates and other measures of health quality. The Department of Health's acquisition of 50% of Dr Foster in 2006 was strongly criticised by the House of Commons Public Accounts Committee, which described it as "favouritism"〔"Dr Foster Intelligence: A Joint Venture Between the Information Centre and Dr Foster LLP", UK Parliament Press Notice, ()〕 and a "hole and corner deal".〔"UK health department criticised for secret deal", British Medical Journal, 8 February 2007 ()〕 Kelsey has become a leading activist for transparency in quality in public services〔Tim Kelsey ("Long Live the Database State" ), ‘Prospect magazine", London, 29 July 2009; The Influence 100 ("Private Players" ), "The Guardian" , London, 10 September 2003; HSJ50 (), "Health Service Journal", London, 14 Nov, 2006〕 and was the architect and launch programme director of NHS Choices. It was announced on 17 September 2015 that Kelsey is leaving the NHS at the end of December 2015, having been appointed commercial director at Telstra Health, an Australian telecommunications provider.〔http://www.england.nhs.uk/2015/09/17/tim-kelsey-to-leave/〕
==Early career and education==
Kelsey was born on May 7, 1965. He was educated at Wellington College, Berkshire, between 1978 and 1983. In 1984 he won an Exhibition to study history at Magdalene College, Cambridge. After graduating in 1987, Kelsey worked as a freelance newspaper and radio journalist in Turkey and Iraq for The Independent, BBC and The Sunday Telegraph. His investigation into illicit kidney trafficking between Istanbul and London in 1989 triggered a change in British law. He also documented the use of chemical weapons against civilians during
Saddam Hussein's campaign against the Kurds in northern Iraq in a series of articles in The Independent.〔For example, ''Turkey slips 20,000 Kurds into Iran", "The Independent", London, Oct 13 1988, cited in "Whatever Happened to the Iraqi Kurds", UNHCR ()〕 He joined the launch staff of The Independent on Sunday in 1989 and covered the 1990 Gulf War as a combat pool reporter with British forces. During this period he also presented a number of TV documentaries including "Frontline" for Channel 4 (1994), a documentary in which he escorted Queenie Fletcher, mother of murdered policewoman Yvonne Fletcher to confront Col Gadaffi in Libya〔"BFI: Film and TV database" ()〕〔("Why Queenie went to Libya", "Independent", London, 18 July 1994 )〕 and "You Only Live Once" for the BBC (1996), an investigation into anti-ageing science.〔("You Only Live Once", "BBC", London 1996 )〕 In 1995 he joined the Sunday Times and became deputy editor of the Insight Team before being appointed news editor in 1998. Kelsey is author of ''Dervish: The Invention of Modern Turkey'', a portrait of the country in the mid-1990s which was published by Hamish Hamilton in 1996 and Penguin Books the following year. Jan Morris, the noted travel writer, commented in her jacket review: 'An excellent travel book, offering startling and vivid insights, social, historical and political, into a Turkey that most visitors can hardly imagine.' Others described it as 'dystopian' and 'no standard travel narrative'.〔()〕
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